Connect with us
'Lonely Receiver' #4 review
AfterShock

Comic Books

‘Lonely Receiver’ #4 review

Lonely Receiver #4 stands as the strongest collaboration the team has had so far.

We’re four issues into a five-issue mini, so consider this a glowing recommendation of the trade, if you aren’t already on board.

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!

Listen to the latest episode of our weekly comics podcast!

This is my normal reaction to any issue of Lonely Receiver, and the fourth issue deserves it as much as the three before it. This issue, more than any other in the series, stands as the strongest collaboration the team has had so far, with the themes solidifying and being clarified for me all at once. It excites me and gets me ready for the finale while also making me sad to know the end is coming.

But first: LOOK AT THIS AMAZING COVER:

Lonely Receiver #4

Credit: AfterShock Comics

Jen Hickman has done an incredible job in the covers so far, but this one is up there with my favorite covers of the year. The intimacy of the kiss is erotic, but the lack of eyes is SO CREEPY. To feel that distance while engaged in this intimate moment is a stroke of genius. The way the faces bleed into each other is so perfectly unsettling in all the same simple ways that are constantly present in the book but magnified because it’s a giant statement. The simplicity, the colors, the creepy beauty — Jen Hickman is ridiculously good.

But I mean, they’re that good throughout the issue, along with Bowland, and Thompson. This issue is the perfect synthesis of the three, where the art tells more than the words. But the words aren’t ancillary — they add so much to each panel, which in turn add context and weight to the captions. As a series, Lonely Receiver tends to be caption heavy, and this is no different, but it never feels like a chore. It feels like real collaboration and teamwork, and it’s exciting to see. I hope this team works together again, and soon!

Now, something worth mentioning is connected to something I wasn’t totally sure of last time around. I thought that issue #3 gave off a bit of an anti-technology vibe, which I don’t think was unfair by any means, but after reading this issue, I realize it was shortsighted of me. That read of this series, while not being totally incorrect, is still oversimplifying the more complicated metaphors on intimacy and stimulation that this issue made more clear. I don’t think I was completely wrong in my thoughts about the last issue, but I was a little shortsighted. I’m also happy I was shortsighted because this is so. Friggin. Good.

As we draw the curtain on this series, it’s becoming more and more clear to me that this is one of my favorite and most significant comics of the last few years, and likely of the next few as well.

'Lonely Receiver' #4 review
‘Lonely Receiver’ #4 review
Lonely Receiver #4
Sensual, surreal, haunting, this issue is a highlight of a series that was a highlight of my year. Horror comics are becoming more popular and good and ‘Lonely Receiver’ belongs right at the top.
Reader Rating0 Votes
0
Jen Hickman again proves themselves as one of the best storytellers and sequential artists in comics
Just look at that cover
CREEEEEEEPY
10
Fantastic

Join the AIPT Patreon

Want to take our relationship to the next level? Become a patron today to gain access to exclusive perks, such as:

  • ❌ Remove all ads on the website
  • 💬 Join our Discord community, where we chat about the latest news and releases from everything we cover on AIPT
  • 📗 Access to our monthly book club
  • 📦 Get a physical trade paperback shipped to you every month
  • 💥 And more!
Sign up today
Comments

In Case You Missed It

'Uncanny X-Men' #1 variant covers give new looks at Wolverine, Gambit and more 'Uncanny X-Men' #1 variant covers give new looks at Wolverine, Gambit and more

‘Uncanny X-Men’ #1 variant covers give new looks at Wolverine, Gambit and more

Comic Books

Ubisoft Star Wars Outlaws The Crew Ubisoft Star Wars Outlaws The Crew

Ubisoft continues to lose the trust of gamers after Star Wars Outlaws and The Crew controversies

Gaming

‘Hellboy: The Crooked Man’ director Brian Taylor confirms film did not use AI ‘Hellboy: The Crooked Man’ director Brian Taylor confirms film did not use AI

‘Hellboy: The Crooked Man’ director Brian Taylor confirms film did not use AI

Comic Books

'Ultimate Spider-Man' #5 to kick-off 'The Rise of Doctor Octopus' 'Ultimate Spider-Man' #5 to kick-off 'The Rise of Doctor Octopus'

‘Ultimate Spider-Man’ #5 to kick-off ‘The Rise of Doctor Octopus’

Comic Books

Connect
Newsletter Signup