After a two-issue caper with Batman on Mount Olympus, Tom King returns with a romantic one-shot tale featuring Diana and Steve Trevor in Wonder Woman #22. Perhaps even more intriguing is that Mouse Man is featured, as the last big cliffhanger revealed that Trinity was under some mouse protection. This is another tale set in Washington, D.C., with fighting featured in familiar locations, so buckle up as Wonder Woman further shows she’s a protector of America.
Something you’ll notice immediately is Caitlin Yarsky’s art, which has an endearing all-ages feel. Steve Trevor is slightly more cartoony, and Wonder Woman looks more youthful. The latter detail is helpful for the story, as it takes place “near the beginning.” One can surmise this story takes place at the beginning of Steve and Diana’s relationship, but just after they possibly slept together for the first time.
The story opens with Steve waking up without Diana next to him in bed. She leaves him a note about a mouse problem, but soon he’s rushing after her to make sure she’s all right. The story matches the endearing quality of the art, as writer Tom King hammers home Steve’s utter awe and respect for Wonder Woman. Not only her personality, but her looks and brawn.
Once on the scene, where mice are attacking the Capitol building, Yarsky’s art shines. These aren’t just any mice, but giant ones, with a tremendous double-page splash of Wonder Woman reeling one in with her lasso. Yarsky is also good at making Diana super casual as she punches out mice and talks to Steve about their date.
Love this double page spread!
Credit: DC Comics
Two things shine through in this decidedly buffer issue before King and Sampere get back on track. One is Diana’s kindness towards all living creatures, especially those that don’t mean harm and are being exploited. The other is how Mouse Man is mimicking January 6 rioters, right down to his brazenly positive and hyped attitude towards disgracing the government building. It’s easy to see the connection, although this issue isn’t necessarily overtly political. It’s more of a satire on real-life events, as Mouse Man is a bit of a goof.
Ultimately, this issue does feel very light for a one-shot tale that’s buying time for the larger story to unfold. It’s reinforcing the love between Steve and Diana, but it’s nothing we don’t already know or even have seen in this series. If anything, it might be setting up Mouse Man for whatever big reveal shows why he’d help Wonder Woman. That’s an assumption, though.
Wonder Woman #22 is a charming detour that highlights Diana’s empathy and Steve Trevor’s admiration, all wrapped in a satirical, oversized rodent brawl. While it may not advance the main plot, it offers a sweet, visually delightful interlude that balances light commentary with heartfelt character moments.
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