Connect with us
stalkers

Movies

How ‘Stalker’ keeps a familiar premise fresh

I always feeling like…

Stalker films have been a part of cinema almost since the beginning. Even thrillers that are not specifically about one have an element of stalking to it. The films have evolved with time and managed to remain popular. Stalker seems like it has nothing new to bring to the genre. Andy (Vincent Van Horn) leaves Austin for Los Angeles after an ugly breakup. He soon meets a rideshare driver named Roger (Michael Joplin) who wants to be a bigger part of Andy’s life than expected.

Despite the rideshare element, Stalker sounds too derivative. While the film is formulaic in some ways, it also shows how an old premise can be brought into the modern world and still be effective. This is very difficult since there have been so many variations on the theme over the years. It is one of those types of films where it is almost impossible to bring something new to the table.

Listen to the latest episode of the AIPT Movies Podcast!

For starters, the script does not lean into the tenser aspects of the story. This is not to say the movie lacks tension. Like any good tale in the genre, there is plenty of suspense and twists that keep audiences guessing. In this case, Stalker’s familiarity is comforting. We know something is not right and want to see how things get resolved.

In order to keep things from getting stale, the Stalker adds an almost black comedy tone to the relationship between Andy and Roger. The obvious comparison would be 1996’s The Cable Guy. The biggest difference here is that movie had a huge identity problem. It never went all in on the comedy or thriller aspects making it hard to accept any part of it.

Stalker brings hints of something more, but it is most definitely a movie about obsession. There is nothing funny about it and the plot demands to be taken seriously the entire time. There may be moments of levity, but Andy is dealing with a serious issue. The great chemistry between the two leads helps build this uneasy atmosphere.

Most importantly, the script stays true to its roots while telling its story in the modern world. The rideshare aspect is the most obvious difference, but it is the mood that is most important. Things remain ominous throughout the entire movie, yet never go over the top. The best stalker movies allow audiences to seamlessly put themselves in it. Obviously, Stalker is an exaggerated version, but its events can happen to any of us.

Join the AIPT Patreon

Want to take our relationship to the next level? Become a patron today to gain access to exclusive perks, such as:

  • ❌ Remove all ads on the website
  • 💬 Join our Discord community, where we chat about the latest news and releases from everything we cover on AIPT
  • 📗 Access to our monthly book club
  • 📦 Get a physical trade paperback shipped to you every month
  • 💥 And more!
Sign up today
Comments

In Case You Missed It

New Dawn of DC 2023 details reveal Cyborg, Titans, Green Lantern, and more New Dawn of DC 2023 details reveal Cyborg, Titans, Green Lantern, and more

New Dawn of DC 2023 details reveal Cyborg, Titans, Green Lantern, and more

Comic Books

'Teenage Mutant Ninja Turtles: The Last Ronin –The Lost Years' #1 review 'Teenage Mutant Ninja Turtles: The Last Ronin –The Lost Years' #1 review

‘Teenage Mutant Ninja Turtles: The Last Ronin –The Lost Years’ #1 review

Comic Books

AIPT Comics Podcast episode 206: Ram V talks the operatic poetry of Gotham, Batman, and Two-Face AIPT Comics Podcast episode 206: Ram V talks the operatic poetry of Gotham, Batman, and Two-Face

AIPT Comics Podcast episode 206: Ram V talks the operatic poetry of Gotham, Batman, and Two-Face

Comic Books

'Sins of Sinister' #1 sets things up while acting as a great event one-shot 'Sins of Sinister' #1 sets things up while acting as a great event one-shot

‘Sins of Sinister’ #1 sets things up while acting as a great event one-shot

Comic Books

Connect
Newsletter Signup