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'Omega Kids' #1 is about indoctrination, rebellion, and the weaponization of innocence
Marvel

Comic Books

‘Omega Kids’ #1 is about indoctrination, rebellion, and the weaponization of innocence

Dark, daring, and disturbingly human.

So far, Age of Revelation has done enough to pique interest in many corners of the possible future, including Kid Omega’s Omega Kids. Utilizing mutants with mind powers to safeguard their leader, Revelation, and to hunt down enemies, this force proves formidable, offering deeper insight through the work of Tony Fleecs and Andres Genolet.

The moral dilemma of using children in any threatening or tactical manner is a significant reason I wanted to explore Omega Kids. We always knew Kid Omega was morally gray, but never quite as evil as using kids for nefarious reasons. Once you put this issue down, you might realize everything you thought was backward, making for a tantalizing cliffhanger and a reason to keep reading.

Omega Kids #1 opens with a definition of “The Babeled,” which is essentially anyone who protests Revelation that had their voice and ability to communicate removed. It’s a frightening notion, and a reminder that Revelation is as fascist as they come. The story then follows two parents who want to get their son’s voice back and go on a mission that is divvied out amongst many rebels. This means nobody knows the full mission, making it harder for the Omega Kids to track and stop. It’s a clever idea by Fleecs, which takes the method of most guerrilla fighter and terrorist cells a bit further.

Omega Kids #1 interior art

Efficient character building.
Credit: Marvel

The opening takes up about half the issue, with the second half revealing Kid Omega’s relationship to the Omega Kids. Paired with handy captions detailing the power levels of each of the four kids, it’s an efficient introduction. It’s also nice to see Kid Omega as a kind of father figure or teacher, even with some of the kids being seriously scary in their lack of empathy.

Outside of the opening and Kid Omega, the cliffhanger will have many talking. The Age of Revelation has certainly shown a darker and understandably scary future, with the ending of this issue further showing paradise is too good to be true, especially for Kid Omega.

Art by Genolet is good, with a clean, detailed style that’s slightly cartoony. Known for his work on She-Hulk and Runaways, the varying ages of the Omega Kids suit Genolet’s style.

As far as plotting, the opening underground efforts do feel a bit too long, even with a standout twist. The issue as a whole feels a touch light, as if it’s saving up the best for the next two chapters.

Omega Kids #1 expands Age of Revelation with a morally charged, thought-provoking tale that reimagines Kid Omega as both mentor and potential monster. Tony Fleecs and Andres Genolet craft a haunting story about indoctrination, rebellion, and the weaponization of innocence, which is anchored by sharp twists and striking visuals. Though it feels like setup for bigger things, it’s smart, unsettling, and full of potential.

'Omega Kids' #1 is about indoctrination, rebellion, and the weaponization of innocence
‘Omega Kids’ #1 is about indoctrination, rebellion, and the weaponization of innocence
Omega Kids #1
Omega Kids #1 expands Age of Revelation with a morally charged, thought-provoking tale that reimagines Kid Omega as both mentor and potential monster. Tony Fleecs and Andres Genolet craft a haunting story about indoctrination, rebellion, and the weaponization of innocence, which is anchored by sharp twists and striking visuals. Though it feels like setup for bigger things, it’s smart, unsettling, and full of potential.
Reader Rating1 Vote
8.6
A morally complex premise that deepens Age of Revelation’s worldbuilding and raises uncomfortable, fascinating questions about power and control.
Tony Fleecs’ writing cleverly flips expectations with a twist that reframes the entire story by the final page.
Andres Genolet’s clean, expressive art fits the mix of youthful energy and dystopian unease perfectly.
The first half’s focus on the rebels’ mission drags slightly, front-loading exposition before the story finds its footing.
The issue feels light overall, teasing more than it delivers in terms of major action or emotional payoff.
8
Good
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