Movie Reviews

‘There’s Something Wrong with the Children’ review: Clever take on creepy kid sub-genre

Refreshing on a number of levels.

January 21, 2023

There’s Something Wrong with the Children sounds like just another entry in the creepy kid sub-genre. Ellie (Amanda Crew, Silicon Valley) and her husband Thomas (Carlos Santana) and their two children have decided to take a weekend trip to the woods. Margaret (Alisha Wainwright, Palmer) and Ben (Zach Gilford, Midnight Mass) decide to join their longtime friends on the getaway. Ben soon begins to suspect the something is wrong when the kids being to act strangely after disappearing in the woods one night.

It is a simple set-up that gives an audience a good idea of exactly what is going to happen. The film delivers on these expectations as the two children all but skip meanspirited mischief making and head straight into the violence. The kids have also acquired some mysterious new skills and have become really good at blaming Ben for every evil act they commit.

Therein lies much of the tension in There’s Something Wrong with the Children. Ben takes mood stabilizers, and because of this, the others do not entirely trust his judgment when he warns them about what the kids are doing. Writers T.J. Cimfel and David White (who worked together on V/H/S Viral) and director Roxanne Benjamin (Body at Brighton Rock) treat this with sensitivity. Instead of stereotyped “episodes”, the film uses the stigma that exists around mental health to further the plot while creating suspense. It is refreshing on a number of levels.

(It is also neat to see the gender roles flipped as the character of Ben is one that would have been written as a female even a few short years ago.)

Which is not to say that all traditional horror aspects tropes have been ignored. The film is reminiscent of something from a different decade, especially in its great opening and title card. The music is consistently creepy and the scares are very effective. There’s Something Wrong with the Children does lose its way once all the subtly is removed in the final act, but it is still worth checking out.