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'The Department of Truth' #34 balances eeriness and relevance
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‘The Department of Truth’ #34 balances eeriness and relevance

Truth bends, monsters return, and conspiracies walk the halls with terrifying confidence.

After a kind of reset with The Department of Truth #0The Department of Truth #34 kicks a new story arc into gear where the U.S. government is in the conspiracy theory business. Doesn’t sound so far-fetched, but how do you combat it? You get the sense of where things are going after reading the latest issue.

The Department of Truth #34 opens with Cole Turner hiding out in an off-the-grid cabin. He’s solemn, though happy enough with his partner. In the basement is something not solemn at all, and longtime fans will be pleased to see its return. Artist Martin Simmonds brings the ultra-creepy painting to a high level with these monster depictions, reminding us that truly awful things live under the bed at night.

Meanwhile, writer James Tynion IV shows us the utter gutting the Department of Truth is going through. Ruby stands tough, but longtime fans will be pleased to see familiar faces as well. All the while, a character seen in the zero issue roams the halls, very much reminiscent of the QAnon Shaman. He’s quite haunting, especially in his confidence. It could even trigger you; it’s just that visually triggering.

'The Department of Truth' #34 balances eerie and relevant

The atmosphere is amazing in this issue.
Credit: Image

Outside of that, not much can be said without spoiling, though most of it is table setting. One can see the gears moving and guess at what comes next, but the story here feels a touch slow as it keeps its card close to the vest.

This issue continues Scott Snyder and Joshua Hixson’s backup involving an Elvis entity. Or maybe Elvis was always a conspiracy? Snyder does a good job of showing how Elvis could fit into this world, with some believable logic, given Elvis’s many iconic looks. Woven into the story is an evident love for Elvis, as the Department of Truth agent reflects on the genius of Elvis.

This chapter also features plenty of action, which Hixson pulls off splendidly. The visual of bullets piercing Elvis is quite cool, and the trippy reveal works thanks to Hixson’s skillful portrayal of Elvis’ likeness.

The Department of Truth #34 is a chilling, carefully composed relaunch of the main narrative, blending political paranoia, returning nightmares, and new threats rooted in real-world conspiracy culture. While it’s clearly setting the chessboard for what’s next, its eerie tone, character reintroductions, and knockout backup story make it a compelling new beginning for longtime fans.

'The Department of Truth' #34 balances eeriness and relevance
‘The Department of Truth’ #34 balances eeriness and relevance
The Department of Truth #34
The Department of Truth #34 is a chilling, carefully composed relaunch of the main narrative, blending political paranoia, returning nightmares, and new threats rooted in real-world conspiracy culture. While it’s clearly setting the chessboard for what’s next, its eerie tone, character reintroductions, and knockout backup story make it a compelling new beginning for longtime fans.
Reader Rating1 Vote
8.8
Strong, unsettling return to form with eerie atmosphere and sharp thematic focus
Simmonds’ art delivers deeply disturbing imagery, especially the basement “painting” reveal
Tynion effectively builds tension by showing how gutted and vulnerable the Department has become
Excellent backup story from Snyder & Hixson with inventive visuals and a thoughtful Elvis angle
The pacing leans slow, with much of the issue devoted to table-setting
Some developments feel intentionally vague, leaving readers waiting for momentum
8.5
Great
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