When we last left Widow’s Bay, Loftis, Wyck, and Patricia discover the identity of Richard Warren’s last descendant. Loftis then leaves to find them and perhaps end the island’s curse for good.
*SPOILERS AHEAD*
Matthew Rhys delivers an excellent performance transitioning between such different tones without affecting the rhythm of the episode. Loftis begins with his usual playful bumbling as he formulates his plan and wrestles with whether to follow through with murder. K Callan is such a sweet and precious soul as Ruth, and her portrayal would make it difficult for anyone looking to kill her for the greater good.
Their conversations turn serious with plenty of reflection and insight to the type of person the mayor truly is. The stark contrasts between the two characters emphasize his own traits. His confession, albeit to someone he thinks is dying, reveals the pressure Tom placed upon himself for his family to turn Widow’s Bay into a successful community, but also the guilt he has held since his wife died and for bringing many tourists to the community despite its dark history. It’s one of the only times he is true to himself.
Their final moments in the episode together are whirlwind of emotions and events. There are misdirects and fake outs to play with the viewer. But Ruth also drops a major bomb during drug induced rambling. Things become real fast, and it’s a result that has big enough implications that Loftis changes up his plan. Finally, when you think the pair have reconciled, the show hits you with another significant development. It’s just as surprising and makes the situation even more charged.
In addition, “We Hope You Enjoyed Your Time” expands upon the mythology of Widow’s Bay. In a very Lost-esque reveal via old school film strips, we receive information on the mysterious chair underground and its purpose. It is satisfying in the background given, but cryptic enough to keep a level of intrigue and aura of mystery. Then, hearing the horror ritual indirectly with poor Kenny the maintenance man helps it all come together.
The level of detail throughout the season is an added bonus as well. Ruth’s family heirloom, which we saw Sarah Westcott Warren give her youngest stepdaughter in episode six confirms her lineage. But seeing that brooch also pulls away any sympathetic thought Loftis had at the moment and convinces him to go through with his poisoning plan. Furthermore, the number of bell tolls from the church in the closing moments is one less compared to the beginning of episode two, which makes sense considering what we learned. It is an ominous way to end the season.
Despite the island surviving the storm, the ending feels unsettling with the revelations and discoveries. But that’s actually a good thing raising the level of intrigue and anticipation for when the series returns for the second season.
Watch Widow’s Bay on Apple TV+.
