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the origin of evil

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‘The Origin of Evil’ review: Power, lies, and videotape

Entering a triangle.

The Origin of Evil is a unique thriller about a woman who has found the father she never knew growing up. As it turns out, he is incredibly rich. Naturally, his family is suspicious of Stephane’s (Laure Calamy) motives. What does Serge’s (Jacques Weber) long lost daughter really want? And what does it mean for them?

It is a familiar premise that plays out differently than similar movies. Surprisingly, there is little tension regarding the big mystery. The Origin of Evil dances around the true identity of Stephane before finally just throwing it out there. It is an odd decision that takes away from many of the more impactful moments.

It also gives The Origin of Evil a chance to explore other motivations. Just like the main story, there is just enough to draw interest without anything truly standing out. Serge’s family makes no secret about the fact they want to take over; the question becomes why do they hate him so much?

This is not a case of wanting to take over simply for money or power – though The Origin of Evil hints that is part of it. Serge’s wife and daughter LOATHE him. This is where the central mystery really takes place. As things progress, the audience learns more about the patriarch and his family and things get pretty ugly.

Everything move at a patient pace, allowing anyone watching to be drawn into its world. This should allow for the characters to be more layered and the revelations to be more powerful. Some of the twists pack a punch, but for the most part, they just happen with little fanfare. Everyone is also very surface level. Serge’s wife Louise (Dominique Blanc) spends a lot of money, while his daughter Georges (Doria Tillier) wants to “Americanize” the company. The only trait that comes through is the strong disgust they feel towards Serge.

'The Origin of Evil' review: Power, lies, and videotape

All are noticeable flaws, but there is nothing bad about The Origin of Evil. Lingering questions will keep anyone watching invested. The methodical flow also lends itself to some powerful moments. Still, it feels like the film has something it wants to say but does not quite know how. Everything is done well, but nothing ever stands out.

The Origin of Evil opens in select theaters September 22

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